Disquiet Junto 0643 Stone Out of Focus

The Disquiet Junto this week takes inspiration from Yoko Ono, who wrote “Take the sound of the stone aging.”

I've used the gear that I brought on holiday to the coast and thought about the stones along the beach.

These will give a crunchy sound and glisten in the most beautiful colours, which become muted by the time I bring them back to the house.

The guitar swells like the surf and I gated the 303-style bass to bring the rhythm back to a slower pace, like a geological scale.

Then I took the MIDI part and ran it through a Live preset with gold in the title.

1998 prank


 

naviarhaiku538 – Only the moon remains

The haiku shared by Naviar Records this week is shortened from a renga with a devastating image of death in a tidal river.

I found myself thinking about the pummelling of the surf, while jamming on the gear that I brought along to my holiday at the coast.

Dozer

Bit cute and a really good fuzz pedal.

The tone was thick and the lift switch brought in the higher frequencies, but my fretless sounded better without those.
 

naviarhaiku537 – Deep in the mountains

The haiku shared by Naviar Records this week was written in the 15th Century, which is kinda mind-blowing.

I've been on holiday at the beach and had recorded the chords using a Jamstik guitar, sending the MIDI to Ableton Live's electric keyboard instrument.

It's been a rainy day today, so I arranged those parts and then recorded my upright bass.

This is about the sixth take and I think I was getting a bit carried away as the bass part is probably too busy.

Anyway, it's been fun to make music and it helps justify all the equipment I packed!

Drum and bass


 

Disquiet Junto 0642 Kick from Champagne

The Disquiet Junto project this week invites participants to make a techno track using kick drums made from the sound of something carbonated.

It stumped me for a few hours, as I'm on holiday at the coast and wasn't sure I could record a good pop even if I had a bottle of sparkling wine.

Then I remembered Archive.org and downloaded:

  • https://archive.org/details/bigclive_20201107
  • https://archive.org/details/VirtualWine-vwtip_060810_03_how_to_open_champagne936
  • https://archive.org/details/twitter-1304429831409537024

These were edited in Ableton Live and used only the effects within that software.

I found the sparkling pops worked for the snare sound and also the bass part, but there was a sample of Clive putting down some bit of equipment that gave an okay kick sound.

With that in mind it's interesting that two of the three videos compared the pop of the cork to a farting noise.

After shaping up the loops and getting a rhythm going, I gave the track structure in Live's Arrangement view and added the vocal part since I liked Clive's commentary.

Kids these days


 

Deep listening to nature

Recently I heard a talk from Andrew Skeoch about his field recordings.

It was a thoughtful presentation that opened with audio he’d captured of the dawn chorus of birds in Victorian bushland.

Andrew shared a spectrogram with the birdcalls that showed their frequencies and then identified specific bird species to discuss their evolution and how this shaped their communications.

A cuckoo, for example, had a deeper call to reach other cuckoos as they were more geographically isolated species.

Other species engaged in a call and response that saw their birdsongs adapt to new melodies, which reflected my own recent experiences whistling with Pied Butcherbirds.

He spoke on the way some sounds will evade detection, while others include transients that help identify the location of the bird.

As the presentation neared the conclusion, Andrew reflected on the subjective experience of time to consider how different species in the landscape operate in different speeds.

He speculated that dragonflies, for example, live at a pace over a hundred times faster than humans.

To illustrate his point he slowed down the birdcall (but maintained pitch) of a small bird to demonstrate how more emotive their sequence sounded when we could identify the micro-phrases that constituted it.

The broader argument of his presentation, Andrew explained, was to help people recognise their place within the environment and he said there were many more observations with audio files to hear in the book he was promoting.

As he ended Andrew played the recording again and this seemed magic the way it illustrated how much we'd learned since first hearing it.

I really enjoyed hearing his perspective and am grateful for the Murrumbidgee Field Naturalists for inviting Andrew to visit Leeton. 

So my humming

 


Disquiet Junto 0641 Re-re-re-re-revise

The Junto this week is to revise a recent track.

Lately I've been challenging myself to work in different time signatures, so this isn't the best example but maybe that's why it stood out. 

After I'd tried permutations that made lottery numbers look sequential, I found myself pondering whether I'd lost something pursuing needless complexity in my compositions. 

So I put together this track quickly and used the M-Tron VST for inspiration, particularly the disco bassline and a choir shaped the chord sequence. 

When the Junto instructions arrived I decided to run the four MIDI parts through my Roland Boutique rack. I've got a lot of the Boutique range but mostly use the TR-06, JU-06, JX-08 and SE-02. 

I found presets that sounded okay and then began experimenting with the arpeggiator and delay settings. Somewhere I found that fuzzy Juno button and then I realised the song needed more space for the delay, so I changed the sequence. 

And I've been pondering that news from Cechnya about legislating tempo and realised this song would fail their censorship, although it means no harm to the Checnyan peoples. 

This is the fourth take and it was the first where the feedback didn't totally get away from me.

I can't believe it's not synthesis

The song of the Antrarctic Weddell seal is wild! 

You can see they have a massive range in the spectogram showing a big drop, so clearly their song has range as lower pitches use more energy.

Listening to it and I sense the reverberance of their singing underwater, that's the metallic ringing effect.

It might be clicks that become like lazer gun sounds, the latter being made tapping on metal wires so it might be the soundwave bouncing back through the water from the ice?

Wonder if this is their dawn chorus or maybe a seasonal song?

World's first drum machine


 

naviarhaiku535 – Come outside

While I wasn't thinking specifically about the haiku shared by Naviar Records, I wrote a lot of lyrics along similar themes.

Get this party started

Disquiet Junto 0640 Time Vault

The Junto this week is a surprising twist on the idea of a creative constraint.

It asks participants to hand over a track for eight months time!

So I got enthusiastic and misread the instruction for a “wordless” piece, but that’s okay I’ll use the track I wrote elsewhere but I made a demo.

As it is I have a different idea for a track that I desperately need to stop myself from whistling.

It’s the call of the Pied Butcherbirds, which I adore hearing at Griffith Pioneer Park Museum.

Over the last year I’ve recorded a few times where we exchange melodic phrases.

However, I shared these with the local Field Nats and heard in response that it is unethical to distract birds.

The argument is that wasting the birds time is not cool and actually I can dig it.

So here is a track I’ve made with my final Butcherbird whistling recording.

In it you can see the point where I realise that my provocations are crashing their party.

You can’t see but there were two birds basically finishing each other’s sentences.

Then I begin parroting them.

At one point I think one bird flies overhead to give me a stern look.

You gotta feel

 


naviarhaiku534 – Pre-dawn inertia

Marco from Naviar Records shared this haiku and, after I'd been jamming with the guitar, a few lines came to me.

The pre-dawn inertia that he identifies is a thing and also a rich metaphor, but I took it as a thing.

Solitaire

I think it was among Tim Prebble's Detritus that I saw this

It was saved to my folder of music memes, but the more I look at it that the more it makes new meaning.

So many recordings I've over-twiddled with settings, so opening a round of Solitaire to occupy away some thought makes a lot of sense to me.

Disquiet Junto 0638 Center (3 of 3)

 

For the Disquiet Junto project this week I added to recordings from previous weeks. 

Drums seemed an obvious contribution to make and, after listening through the tracks, I settled on 'Ataxophobia' by Encym and Jimmy Lem.

It took me a while to realise that I'd used Encym's track the week earlier, but by then I was almost finished.

naviarhaiku532 – Wordless

 

I liked the image of following a butterfly's shadown in the haiku shared by Naviar Records.

It'd be great to be able to film that movement, but it seems like it'd require some time in my garden.

Maybe that'd be a good thing, as it's starting to feel like autumn.

Anyway, this track is an example of my recent interest in 6/4 time signatures.

A sound recipe

Fragments of Eduard Artemyev's score for the film "Solaris" for ANS synthesizer.



 

Disquiet Junto 0637 Right (2 of 3)

 

I've recorded a bass part to accompany 'Neat Disorder' by encym. 

Then I added a bass part to Undermulden's 'Splong'.

Disquiet Junto 0636 Left (1 of 3)

The Disquiet Junto project this week is to "Record the first third of a trio."

Drums are a good place to start and I've been jamming along with a pop song this week.

So I quickly set up a Rode NT4 mic for overheads and used a bass speaker to record the kick.

These will be made available for the Junto to add parts in coming weeks.

AI


 

Is Google broken?

Went looking for one of my videos yesterday and Google had nothing.

It seems remarkable that I've had the bassling.com URL for around two decades and used Blogger for almost as long and been on Youtube since 2006 or so.

Then again, maybe it's that their algorithm prioritises recent content.

So now I'm wondering if I should remaster my older material and re-upload it?

I can accept that not many people are looking for Bassling videos, but it's important for me that they can be found.

As a regional artists it makes it very difficult to convince funding bodies to support my projects if the dominant search engine hides my material.

I'm sorry that

Disquiet Junto 0635 ’Round the Bend

The Disquiet Junto project this week is to imagine your bandmate is a train.

For various reasons I decided to use my own recording of a passing diesel locomotive. 

This recording was made at Ramponi Park about a dozen years ago.

Ableton Live decided the tempo was around 122 BPM and I wanted a nostalgic sorta vibe.

Originally the chords were played with Live's vibraphone instrument, as I saw a performance last weekend that used this instrument.

Then, as I decided on the vibe (no pun intended), I swapped it for M-Tron Pro and also used that VST for the melody.

Old Macdonald had a theremin


 

naviarhaiku529 – A distant mountain

 

The haiku shared by Naviar Records arrived as I was attempting to make Tchaikovsky in the style of Walter Murphy.

Might yet add a disco-style bass part.

I don't always

Disquiet Junto 0634 Bust a Move

 

One of my biggest music influences is the Saturday Night Fever soundtrack. 

When I got that as a kid, it blew my mind how funky a movie could be. 

There are a couple of classics interpreted as disco numbers, so I took that idea as inspiration and made this track with Swan Lake.

Anyway, as I was exporting the track, I had a doubt about whether I'd honoured the Junto prompt. 

Maybe it's a guilty conscience for uploading an old track last week, but I decided to do something different. 

So the track at the top of my post was recorded quickly. I set up my camera and used the built-in mic, recording from the kitchen sink into the dodgy extension on the house where the drum kit seems to sound great (maybe it's the low ceiling?). 

 I've been enjoying hearing Schubert's waltzes, so I found one on Youtube and kept everything muffled with the window closed while I beat the drums hard.

naviarhaiku528 – What’s a month for the sea

 

The haiku shared by Naviar Records this week had me looking for a frosty synth sound.

I'd already programmed a few ideas and then set about helping them to work with each other.

 

Disquiet Junto 0633 Voice Swap

The Disquiet Junto project this week involves substituting singing for instruments, so I've turned back to a piece where I replaced those early vocal parts.

'Alright' appeared with a mix by DJ Pnutz on my album SING, as well as in previous Junto projects in various guises.

It was just waiting to be revisited and returned to a full acapella-style piece.

You spent all this time

I like a Leo meme as much as the next guy and it's refreshing that he isn't holding a drink!

However, this one mistakes the process for the product.

For me the hours are spent making a recording that puts me into a trancelike state that is deeply enjoyable. 

Often it would be best to give it another day, but that usually feels like I might be wasting my time since there's always more to record. 

So I will return to the things that remain strongest at some point in the future, when I revisit tracks to compile an album.

Bachflip


 

Disquiet Junto 0632 Shear Wind

A funny thing happened along the way to finishing this track. 

I set out yesterday to record sheer wind noise. 

It's something I rarely do and the result seemed underwhelming. 

The microphone mightn't have been plugged in, but the noise was more mechanical most of the time and the wind noise was mostly insignificant. 

So I gated the peaks and used Live to set the BPM and make a drum part from the field recording. 

Along the way I made a different track with a field recording that totally lacked shear wind noise and began wondering if this track was, well, off track for the Junto. 

Then I went back and re-read the Disquiet instruction and realised I had followed the purpose, particularly this bit: "a noise you didn’t notice until you listened back, or a malfunction in the recording equipment." 

The grunting bike noise propels one track in a pack of rhythms and, while it's not wind shear, I followed the direction to make music with the resulting recording.

Making music on a computer


 

naviarhaiku527 – ore train

The haiku shared by Naviar Records this week reminded me of a recording I'd made at the Museum.

Here the rhythm of the motor reminds me of the way a train rolls.

Reagan Fuzz

Fuzzgetaboutit!

Disquiet Junto 0631 In a Silent Waveform

The Disquiet Junto prompt this week is to "Take one held tone and make it dance slowly."

My gated guitar rig immediately came to mind and I settled on freezing the harmonic on the G string of my bass using an Electro Harmonix HOG.

Then that tone is sent to different effects chains that are gated by the drum loop from the Yamaha sequencer.

I hope you don't mind


 

Disquiet Junto 0630 Creative Sufficiency

The Disquiet Junto prompt this week invites participants to set a limit on the items they'll use.

As I had a bunch of gear plugged together, it wasn’t too hard to take a guess what I’d use and then add a few more for mastering the result. 

There was a loop that I’d already made in Live that used three instruments and seemed, um, sufficient. 

The prompt this week reminds me why I plugged these items together, as I’d been looking for a way to get more use from them but didn’t want to start an open-ended project that didn’t get a result. 

So, to limit my opportunity to start planning all the things I could use, I set myself a constraint by deciding the items needed to fit within the bread crate.

My folder of unfinished songs


 

naviarhaiku525 – vernal seas

The haiku shared by Naviar Records this week prompted me to think of a delay that I recently bought.

I have too many delay pedals and am thinking about selling a couple, but this one has a novel interface with a joystick to manipulate the repeats. 

This is also the first time I've recorded my secondhand Eastwood tenor guitar.

Are you sure?

Disquiet Junto 0629 Jigsaw Logic

 

The Disquiet Junto project this week is a remix, so I've revisited a track that was recorded while on a residency in Stuart Town last year.

Disquiet Junto 0628 Alchemical Brothers

 

The Disquiet Junto prompt this week invites an alchemical process into one's music-making.

I worked from the assumption that drums are good and 303 too, then arrived at acoustic and digital instruments in conjunction.

naviarhaiku522 – lightning

The haiku shared by Naviar Records arrived as I was challenging myself to record a song.

Part of my process was to limit the number of inputs to suit the six-channel mixer.

So I decided to put everything into a bread crate, which turned out great as you can poke leads out through the grate at the bottom.

The song was something I'd partly sketched earlier in the year and one of a number that I hope to realise with this collection of instruments and effects.

There's a Roland TR-707 on drums that I should use more often, as well as a Novation Mininova and Korg NTS-1 that were both also being neglected.

First world problems


 

Disquiet Junto 0627 Just Ice Society

 

The Junto begins each year with the direction to "record the sound of ice cubes in a glass and make something with it" (or something like that, I forget!)

Some years ago I recorded my out-laws' glasses to make this project more convenient, as it often occurs around the hottest day of the year and they have air-conditioning that's quieter than mine.

I was really sloppy with the ice cubes as they sound better slurping around and even better when they fall on the carpet.

Those moments I've repitched to become snare and kick parts in the percussion.