The haiku shared by Naviar this week offered a snail's perspective and I sought to do it justice by singing about powerlessness and communicating within shells.
Further inspiraton was sought from Seamus Heaney's republic of conscience.
The haiku shared by Naviar this week offered a snail's perspective and I sought to do it justice by singing about powerlessness and communicating within shells.
Further inspiraton was sought from Seamus Heaney's republic of conscience.
My child has musical homework and we were discussing the option of using an existing track to scaffold a feel.
The track they chose seems unlikely to me, since it’s nearly 50 years old, but it’s been a week for revisiting old songs and I’ve been enjoying the swing in this one.
I’ve heard that James Brown thought every instrument should sound like a drum, so I’ve made as many into percussion as I could handle in this cover of a Dr John song.
A bit tangentially related the to haiku shared by Naviar this week, as I wrote a song inspired by this poem and added a video of my recent haiga exhibition.
There is a thin layer of a theme in the sense that dust plays a role.The Junto assignment is to: Write a piece of music emulating the dopamine engine that is social media.
This is the last of the Chinchin videos that I downloaded from Archive.org and they’ve been fun to mix with my tracks by matching the tempo.
I reached for it when I had the image of an automaton doomscrolling being all robotic.
Like the video, all the song fragments came from my folder of unfinished Live files.
Then I had the idea of mashing it with the song I've been working on this afternoon.
It's not terrible and seems tangentially related to the subject matter.