Bassling blog

Marisa Anderson on improvising

I grew up playing classical. In classical music, there’s a boss. What’s on the page is the boss. What the composer intended, that’s the boss. In classical music, you’re not your own boss ever. That’s fine, that’s for a reason. Any song that’s sung tends to lend itself to having a structure that you have to follow. Words are the boss, a lot of times. They’re the boss of how a song goes, when it starts and when it ends, and what order the emotions lay out in.

I’m not against structure. I’m not even against doing things the same way. But in the creative process, I like to be free. Once it’s the performance, there’s room for all of it in my music. Some things I do exactly the same, and that’s its own fun thing, is to adhere to that. Some things I do differently. In performance, what changes is the dynamic in the room.

Labels: perspective
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Bio

Living in regional Australia led Jason Richardson to sample landscapes instead of records.

Hear bassling.bandcamp.com

Please

Other outlets

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    Classless - *All history of all hitherto existing society is the history of class struggles *
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    Old ring tree -
  • Shot wildlife
    Hunting widjiti grub -
  • Whimsy
    In muddy gutters - In muddy gutters reflecting on passing flows we reach for the sky

Passed attractions

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  • Disquiet Junto 0703 That's How You Got Killed Before
    The Junto assignment this week is to "Revisit something that you just couldn’t get to work last time." I've gone back to my t...

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