Bassling blog

Marisa Anderson on improvising

I grew up playing classical. In classical music, there’s a boss. What’s on the page is the boss. What the composer intended, that’s the boss. In classical music, you’re not your own boss ever. That’s fine, that’s for a reason. Any song that’s sung tends to lend itself to having a structure that you have to follow. Words are the boss, a lot of times. They’re the boss of how a song goes, when it starts and when it ends, and what order the emotions lay out in.

I’m not against structure. I’m not even against doing things the same way. But in the creative process, I like to be free. Once it’s the performance, there’s room for all of it in my music. Some things I do exactly the same, and that’s its own fun thing, is to adhere to that. Some things I do differently. In performance, what changes is the dynamic in the room.

Labels: perspective
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Bio

Living in regional Australia led Jason Richardson to sample landscapes

Hear bassling.bandcamp.com

Please

Other outlets

  • Shot wildlife
    Robyn Gordon with red cheeked wattlebird -
  • Thoughts are like fishes///
    Wisdom from Uncle Iroh - *My Facebook Memories offered this gem today* Uncle Iroh is a wonderful character in an excellent couple TV shows, that I've written about here (Netflix ...
  • hghlght
    Rocky Waterholes -
  • Whimsy
    In muddy gutters - In muddy gutters reflecting on passing flows we reach for the sky

Passed attractions

  • Lost & Found
    I feel like a fan for wanting to write about it but Chase Bliss' new pedal has missed the mark for me. Before they announced Lost & ...
  • naviarhaiku605 – just inside the fence
  • AFX
     
  • The Beastie Boys are releasing
  • Transmitter
    Something about the handwriting on this radio appeals to me, but there's also that lovely blue mesh.
  • How to make contact microphones
    Here's a short overview of how to make your own contact microphone using piezo crystals. This technique was taught to me by Alan Lamb w...

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