There's an interesting discussion of acoustics in this article about the Lincoln Center's redevelopment:
Sound engineering is ancient. Certain walls in the Hagia Sophia are angled to generate what’s called a “slap echo,” a fluttery ta-ta-ta-ta that in ancient times was referred to as “angels’ wings.” If you stand at the base of Chichén Itzá, the Mayan ruins in the Yucatán, and clap, what you hear sounds uncannily similar to the call of a quetzal bird. If you stand under the head of the dragon painted on the ceiling of Honjido Hall, in the Toshogu Shrine, in Nikko, Japan, built more than four hundred years ago, and hit together two pieces of wood, the sound echoes throughout the temple, producing an effect called “the crying dragon.” People have been channelling, amplifying, and manipulating sound for a good long time. But, as a formal science, acoustical engineering is relatively new.
I haven't thought about the role of reverb for a while, but I did write this piece back in 2019.