The more I thought about it, the more I thought I should use it as a springboard to explore another sense of paternalism.
The melody on the bass guitar was one I started humming in Easter this year, a time that became associated with the murder of Stephanie Scott. I spent the following weekend thinking about the symbolism of her death at Easter, which in the southern hemisphere marks the start of autumn.
Since then I've been thinking about the feminist argument that the personal is political, so this poem led me to think how a father is a symbol of patriarchy and how governments are patriarchal in claiming to act in the best interests of citizens.
I think governments are influenced by lobbyists, who are largely acting on behalf of corporations. Just look at the TPP and the secrecy in which it was negotiated and signed by governments, making a farce of democracy.
Anyway, the Naviar haiku was a prompt to record a first draft of this idea that I've had in my head for half a year. It's good to have a deadline to realise such ideas and I almost missed this one as various events have kept me busy this week.
Layering up three bass guitar parts is a recipe for a muddy mix, as well as a similar number of vocal parts. I think I can better realise this track but it's good to have made a start.
