Bassling blog

Steve Albini on our musical environment

Music has entered the environment as an atmospheric element, like the wind, and in that capacity should not be subject to control and compensation. Well, not unless the rights holders are willing to let me turn the tables on it. If you think my listening is worth something, OK then, so do I. Play a Phil Collins song while I’m grocery shopping? Pay me $20. Def Leppard? Make it $100. Miley Cyrus? They don’t print money big enough.
Labels: perspective
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Bio

Living in regional Australia led Jason Richardson to sample landscapes

Hear bassling.bandcamp.com

Please

Other outlets

  • Thoughts are like fishes///
    1000 - *On the weekend I uploaded my 1000th video to Youtube* Nearly 20 years ago my first video showed mountain-biking outside Wagga with a track I made in Cub...
  • hghlght
    Trails -
  • Shot wildlife
    Robyn Gordon with red cheeked wattlebird -
  • Whimsy
    In muddy gutters - In muddy gutters reflecting on passing flows we reach for the sky

Passed attractions

  • How to make contact microphones
    Here's a short overview of how to make your own contact microphone using piezo crystals. This technique was taught to me by Alan Lamb w...
  • Conductive
     
  • Disquiet Junto 0718 Planet Jam It
      The Disquiet Junto project this week is to "Record the sound of an advanced alien civilization."  The year is 2126, and your spa...
  • naviarhaiku614 – The coming of autumn
    The haiku shared by Naviar Records reminded me of the red butterflies that I've observed at the start of autumn, such as this scarlet p...
  • Brian Eno on presets
    I think what bothers me, which is exactly part of what you’re saying, is the possibility of not making a mistake at all, of making things th...
  • Disquiet Junto 0721 Well Weathered
    The Disquiet Junto prompt this week is to "Record a track in which you play along with the storm." I found a wonderful storm o...

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