Bassling blog

Steve Albini on our musical environment

Music has entered the environment as an atmospheric element, like the wind, and in that capacity should not be subject to control and compensation. Well, not unless the rights holders are willing to let me turn the tables on it. If you think my listening is worth something, OK then, so do I. Play a Phil Collins song while I’m grocery shopping? Pay me $20. Def Leppard? Make it $100. Miley Cyrus? They don’t print money big enough.
Labels: perspective
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Bio

Living in regional Australia led Jason Richardson to sample landscapes instead of records.

Hear bassling.bandcamp.com

Please

Other outlets

  • Thoughts are like fishes///
    Kid art - *Saw this in the art classroom at school* I feel a bit sheepish for sharing this pic, since it's not my art and I can't attribute the artist. However, i...
  • Shot wildlife
    Resources - Leeton is our home town, a place where we live and learn. We all have our own memories of places, some of them we share. One of the things we share is sp...
  • hghlght
    Wagga sunrise -
  • Whimsy
    In muddy gutters - In muddy gutters reflecting on passing flows we reach for the sky

Passed attractions

  • How to make contact microphones
    Here's a short overview of how to make your own contact microphone using piezo crystals. This technique was taught to me by Alan Lamb w...
  • Disquiet Junto 0700 View Frame
    I couldn't resist recording this piece for the 700th Junto project. The directions were to show people a glimpse outside my world, so ...
  • Kevin, I'm dying.
     
  • if you want me to stay
  • Workshop with Stephen O'Malley and Oren Ambarchi
    There was a concert and workshop in Cootamundra last weekend featuring a couple of my favourite artists, Alan Lamb and Oren Ambarchi. I...
  • Straya by Kink
    Bought this pedal because I was amused by the graphic. For anyone reading who isn't an Australian, the character represented is the kind...

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