Bassling blog

Steve Albini on our musical environment

Music has entered the environment as an atmospheric element, like the wind, and in that capacity should not be subject to control and compensation. Well, not unless the rights holders are willing to let me turn the tables on it. If you think my listening is worth something, OK then, so do I. Play a Phil Collins song while I’m grocery shopping? Pay me $20. Def Leppard? Make it $100. Miley Cyrus? They don’t print money big enough.
Labels: perspective
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Bio

Living in regional Australia led Jason Richardson to sample landscapes

Hear bassling.bandcamp.com

Please

Other outlets

  • Thoughts are like fishes///
    Compiling - *Every week I record something, but it'd been nearly five years since I last published an album* So it was cool to find so much material, like this ele...
  • hghlght
    Zucchini -
  • Shot wildlife
    Amegilla cingulata -
  • Whimsy
    In muddy gutters - In muddy gutters reflecting on passing flows we reach for the sky

Passed attractions

  • Disquiet Junto 0741 Balance Beam
      The Junto assignment is to "Write music for bell and drone." I shared Marc's prompt with ChatGPT and asked it to create lyri...
  • Disquiet Junto 0742 Sensitive Math
    The instructions this week are to "Record a piece of music that exemplifies the “sensitive math” genre." I decided the sensitive ...
  • Naviarhaiku636 – beyond the talus
      The haiku shared by Naviar this week is another from the workshops I ran in February. Around the time that discussion was occuring for a c...
  • Mom
     
  • Chord Progressions
    I put this in front of my son recently and he wrote a song.
  • Naviarhaiku635 – can you hear the stars?
    It's great to share a track responding to this poem, as Leanne was part of the workshops last month and offered this haiku. Originally ...

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