Bassling blog

Steve Albini on our musical environment

Music has entered the environment as an atmospheric element, like the wind, and in that capacity should not be subject to control and compensation. Well, not unless the rights holders are willing to let me turn the tables on it. If you think my listening is worth something, OK then, so do I. Play a Phil Collins song while I’m grocery shopping? Pay me $20. Def Leppard? Make it $100. Miley Cyrus? They don’t print money big enough.
Labels: perspective
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Bio

Living in regional Australia led Jason Richardson to sample landscapes

Hear bassling.bandcamp.com

Please

Other outlets

  • Thoughts are like fishes///
    Seventeen syllables - *It's funny* I really dig the syllable constraint but it seems the idea overtook the form when Americans popularised haiku in the 20th Century.
  • Shot wildlife
    Yellow admiral (Vanessa itea) - It's been a bumper year for nettle in my yard, which is something I've been letting go to seed because I like it in food and drinks. Turns out the yel...
  • hghlght
    Kaleidoscope -
  • Whimsy
    Scale of the ridgeline - Scale of the ridgeline shown in rock climbers' comments — Mount Arapiles

Passed attractions

  • Disquiet Junto 0766 Rock Math
      Mathematics is wasted on the young. The Junto this week asks one to consider how a label like "math rock" might be subdivided, ...
  • There's our little producer
  • Me walking into the music store
     
  • naviarhaiku660 – shrine fence
    The haiku shared by Naviar Records this week prompted me to think of how a person might disappear into the background. 
  • Disquiet Junto 0767 Your Move
    The Junto this week is to  "Record background music to have playing while playing a specific board game."
  • Disquiet Junto 0765 Sonic Kin
    The Junto assignment this week is to "Give space to the unheard voices of animals." I sometimes hear dogs in the neighbourhood c...

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