The Junto this week asks one to consider how a label like "math rock" might be subdivided, such as algebra or calculus.
I feel as though I am not familiar with either the genre or the discipline to give math the attention it deserves.
In my recent foray into teaching I found the subject to be a lot more interesting than I remembered of my time in school.
To begin I asked advice of my family and it seemed to provide a distinctly wide-ranging survey of the field.
My son studies extended mathematics in high school and began pondering co-sine equations as a way to generate sound, which was more advanced than I was willing to consider.
In contrast my partner chuckled at the thought of the "dummy maths" class and this seemed better suited for rock.
The little I know of "math rock" is the idea of using varying time signatures in composition and I really enjoy layering loops of differing lengths for the generative quality it adds.
However, my existing ideas were all a bit jazzy for rock.
So I began making riffs and that led me to add a 303, because it always seems a way to add energy to MIDI instrumentation and I think it rocks.
The public domain footage from Archive seemed perfect for the "dummy" class flavour and also captured something of my new found interest in mathematics.
The Junto assignment this week is to "Give space to the unheard voices of animals."
I sometimes hear dogs in the neighbourhood complaining on cold mornings.
This morning I was having a conversation with my partner that brought to mind the unhappiness of animals and how we live in an area characterised by industrial agriculture.
For example, nearby there are hundreds of sheds that surround the largest chicken-processing facility in the southern hemisphere.
So my mind started pondering giving a voice for animals and I wrote lyrics, then constructed a song.
There is one step for the project: "Since the Disquiet Junto is a community, create the sense of an animal communal gathering by combining processed animal sounds into an original recording."
Honestly, at first I wasn't sure that I needed to do the Junto activity this week.
The first sound with the periscope comes from the beginning and is one I love, while the stopwatch is neutral and the soundtrack I dislike.
You can hear that in how much I manipulate them, as the soundtrack is divided into two to be repitched and gated while the other parts largely stay recognisable.