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Selectronica

bassling's blog

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Art without constraints

Art without constraints ceases to be art. The trick will lie in finding the balance between here and the infinite.
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Bio

Living in regional Australia led Jason Richardson to sample landscapes instead of records.

The FOR 100 YEARS album of 2012 remixed recordings of Leeton made using contact microphones to bring beats from playground equipment.

The Murrumbidgee River was the focus of the 2013 REIMAGINING album that accompanied an exhibition shown in Leeton and, in 2014, Wagga Wagga.

The WHILE and AND albums of 2013 and '14 collect recent work and show variety in technique and musicianship. Hear

Blog Archive

  • ▼  2017 (120)
    • ►  August (8)
    • ►  July (9)
    • ►  June (10)
    • ▼  May (21)
      • Naviarhaiku177 – Eastern guard tower
      • Cause and aphect
      • Ian Brennan on the origins of good music
      • Disquiet Junto 0282 Berio’s Bach
      • Drummer Jaki Liebezeit's E-T system
      • Naviarhaiku176 – lonely stillness
      • Quick exit
      • Disquiet Junto 0281 Pattern Interruption
      • Art without constraints
      • Naviarhaiku175 – sound of rain
      • Jonathan Safran Foer on bumbling
      • Disquiet Junto 0280 20170514
      • Vito Acconci on noisy systems
      • Naviarhaiku 174 -- chilled light
      • e.e. cummings' The First Of All My Dreams
      • The Devil's Music
      • Disquiet Junto 0279 Word Interiorities
      • Nick Cave on intellectual convenience
      • Using a modular be like
      • Spicy light and sound
      • Terrible taste in jazz
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