The video above is for a remix I've made for the Naviar Records State of Origin project:
The Assignment: Record a piece of audio using sounds from your surroundings. The idea of the exhibition is to represent how the local environment can affect the artistic process: composers are to record the sound of their own environment and develop an original piece.
The idea of being influenced by the environment has been a theme in my work for much of the last decade. Elsewhere I've discussed how the Wagga Space Program inspired me to consider this influence and how I started remixing field recordings, beginning with a remix for the Ninja.Trax project on their Ableton Live-themed compilation using samples I'd recorded for their field recording compilation.
For 100 Years project to celebrate the centenary of Leeton. Some of this material appears in this remix, specifically recordings made within my suburb Willimbong. Waipukurau Park has been the setting for many recordings and you can see the slide and swings, as well as fences and treetops in the videos here.
Willimbong has a mix of industrial and residential properties, as well as the Park that centres around River Red Gums. As well as birds like the noisy gallahs, the ambient noise includes the hum of the rice co-operative and trucks and sometimes I can hear the orange-juicing plant that is at the northwest corner of the suburb. This hum is buried in the remix but the gallahs feature and they are a sound I associate with Leeton, leading me to write and record the track Raucous Chorus.
The final remix (above) was the fourth attempt at the track and includes Native Instruments' Absynth VST. Earlier drafts were more upbeat and used the same samples. Below is the third attempt, which I also like but didn't seem to be quite the right vibe for the suburb. I think I got a bit more of a Boards of Canada sound in the final version, using a tape-style delay for a bit of warble and an amp simulator on the drums for a bit of grit.