Bassling blog

Steve Albini on our musical environment

Music has entered the environment as an atmospheric element, like the wind, and in that capacity should not be subject to control and compensation. Well, not unless the rights holders are willing to let me turn the tables on it. If you think my listening is worth something, OK then, so do I. Play a Phil Collins song while I’m grocery shopping? Pay me $20. Def Leppard? Make it $100. Miley Cyrus? They don’t print money big enough.
Labels: perspective
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Bio

Living in regional Australia led Jason Richardson to sample landscapes

Hear bassling.bandcamp.com

Please

Other outlets

  • Thoughts are like fishes///
    Seasons changing - *Steam rising as the sunlight arrived at the fence this morning*
  • Shot wildlife
    Yellow admiral (Vanessa itea) - It's been a bumper year for nettle in my yard, which is something I've been letting go to seed because I like it in food and drinks. Turns out the yell...
  • hghlght
    Kaleidoscope -
  • Whimsy
    Scale of the ridgeline - Scale of the ridgeline shown in rock climbers' comments — Mount Arapiles

Passed attractions

  • How to make contact microphones
    Here's a short overview of how to make your own contact microphone using piezo crystals. This technique was taught to me by Alan Lamb w...
  • Pass the aux
  • It would be crazy
     
  • Disquiet Junto 0760 Harness the Light
    The assignment is to "Use audio of a light bulb to express the pervasiveness of energy." Musikfestival Bern shared an audio sampl...
  • Disquiet Junto 0763 3 Pedestals
    The Junto instruction this week is to "Make music with three sounds: one you love, one you dislike, and one you consider to be neutra...
  • Sensitivity settings
    My favourite audio effect is a gate and playing with the threshold brings out dynamics in parts. However, a friend on Facebook named Hurrica...

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