Tracks 10 and 12 of
AND are largely the same, in terms of composition. In terms of production, the former is electronic and the latter is performed on acoustic guitar.
This song was recorded as a response to a haiku and the instrumentation aims for an icy effect. The percussion is meant to emulate the crunching of footsteps, and the reverb (of course) a cathedral.
Seems strange it was only
March this year that I first encountered the Naviar Haiku project. As I recall, I'd signed up for their updates and it coincided with the Disquiet Junto adopting it for the week.