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Selectronica

bassling's blog

Signature problem solved

That sort of plummy quality to early electronic music was just a technical problem they were trying to get around.
Labels: perspective
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Bio

Living in regional Australia led Jason Richardson to sample landscapes instead of records.

The FOR 100 YEARS album of 2012 remixed recordings of Leeton made using contact microphones to bring beats from playground equipment.

The Murrumbidgee River was the focus of the 2013 REIMAGINING album that accompanied an exhibition shown in Leeton and, in 2014, Wagga Wagga.

The WHILE and AND albums of 2013 and '14 collect recent work and show variety in technique and musicianship. Hear

Blog Archive

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      • Music offence
      • Tiny Abode
      • naviarhaiku237 – The distant mountains
      • Signature problem solved
      • Mean a thing, it does not
      • Disquiet Junto 0342 In Sea
      • Without comment
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Old gold

  • How to make contact microphones
    Here's a short overview of how to make your own contact microphone using piezo crystals. This technique was taught to me by Alan Lamb...
  • Workshop with Stephen O'Malley and Oren Ambarchi
    There was a concert and workshop in Cootamundra last weekend featuring a couple of my favourite artists, Alan Lamb and Oren Ambarchi. I...
  • Reasons to date a bass player
      My partner adds that bass players also have "less strings attached"! I'm resisting pointing out to her that we bassists ...
 

Other outlets

  • Whimsy
    The end of the day - The end of the day a glow that lasts forever then darkness returns
  • Shot wildlife
    Waan the trickster (Australian crow) -
  • Thoughts are like fishes///
    Nettle beer with mugwort, yarrow and borage - *Having bottled a recent brew, I was eager to begin another* A recent highlight had been a beer made with stinging nettles and ginger, so I was keen to exp...
  • hghlght
    Damp blossoms -