Both the way I paint and the way I produce music is done in layers. I create layers upon layers of either sounds or colours and see how they interact together. I guess the main difference is that with the music, I go into making a track with a lot more foresight than I do, a painting. There’s no point in just throwing a couple of sounds together and hoping for the best… I Like to think through each soft instrument and sound and work from sketches or sometimes start with a musical sketch and build that sketch into a finished piece of music.
Love Without Violins - *Keep coming back to this song. * I like the vibe up until the key change, then I find myself kinda intrigued by Brian Eno's lyrics.