Bench Marking History - Bidgee Studio's Hape Kiddle discusses his 2014 project with students from Marian Catholic College.
Wow, the live session by Jeffrey Melton that my collaboration above comes from is really something else. Read the Disquiet Junto info for the link. I thoroughly enjoyed listening to it today and spent a lot of time playing bass along to it. It was difficult to settle on a section to record but thought this bassline had more variations than the others. While playing bass to the Nofi recording, I rediscovered that it's a great instrument for implying chord changes by shifting root note. So I jammmed from F# into A, D and E, ending up with the riff I play after Thriller drops. There's an overdubbed bass at the beginning that's repeated later. I was trying to come up with a melody but thought these notes sounded like Tortoise. It's a bit muddy but hopefully adds more interest. P.S. -- Have a listen to the drumming Lee Rosevere has added to this posthumous collaboration. Wow!
Labels: Disquiet Junto