Bassling blog

Marisa Anderson on improvising

I grew up playing classical. In classical music, there’s a boss. What’s on the page is the boss. What the composer intended, that’s the boss. In classical music, you’re not your own boss ever. That’s fine, that’s for a reason. Any song that’s sung tends to lend itself to having a structure that you have to follow. Words are the boss, a lot of times. They’re the boss of how a song goes, when it starts and when it ends, and what order the emotions lay out in.

I’m not against structure. I’m not even against doing things the same way. But in the creative process, I like to be free. Once it’s the performance, there’s room for all of it in my music. Some things I do exactly the same, and that’s its own fun thing, is to adhere to that. Some things I do differently. In performance, what changes is the dynamic in the room.

Labels: perspective
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Bio

Living in regional Australia led Jason Richardson to sample landscapes

Hear bassling.bandcamp.com

Please

Other outlets

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    In muddy gutters - In muddy gutters reflecting on passing flows we reach for the sky

Passed attractions

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  • Inheritors of James Holden's tip
    My interview with James Holden is now online at Cyclic Defrost. His album The Inheritors is showing up in a lot of 'best of 2013...
  • Be off-Fender-ed!
    Fender have been a topic of ire here in recent months When the company won a copyright ruling in the EU earlier this year I thought thing...
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  • Linda Perry on progress
    “What I’m probably most proud of is that I never think I’m good enough,” she says. “But that’s also my damage; I was raised that way; you kn...
  • Workshop with Stephen O'Malley and Oren Ambarchi
    There was a concert and workshop in Cootamundra last weekend featuring a couple of my favourite artists, Alan Lamb and Oren Ambarchi. I...

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