Bassling blog

Adam Curtis on documentary music

The thing I find about a lot of factual films these days — it’s as true in America as it is in Britain — is that the use of music tends to be either very clichéd or very boring. It’s as if the editor or the director doesn’t get out enough. They choose music which is completely predictable — if they’re making a film about bankers, they’ll put Pink Floyd’s “Money” over it. Your heart sinks. Whereas I like the idea that you choose music that feels not appropriate literally, but emotionally to what you’re trying to say.

Part of the function of journalism if you’re using music and images is to create an emotional platform from which you can draw people into the argument that you’re trying to put forward. It’s not a manipulation. It’s just: “Let me tell you a story.” As you tell a story, you draw people in. Music is so important in that.
Labels: perspective
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Bio

Living in regional Australia led Jason Richardson to sample landscapes

Hear bassling.bandcamp.com

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Other outlets

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    In muddy gutters - In muddy gutters reflecting on passing flows we reach for the sky

Passed attractions

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      The Junto assignment is to "Write music for bell and drone." I shared Marc's prompt with ChatGPT and asked it to create lyri...
  • Disquiet Junto 0742 Sensitive Math
    The instructions this week are to "Record a piece of music that exemplifies the “sensitive math” genre." I decided the sensitive ...
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    I put this in front of my son recently and he wrote a song.
  • Naviarhaiku635 – can you hear the stars?
    It's great to share a track responding to this poem, as Leanne was part of the workshops last month and offered this haiku. Originally ...

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