Looking back - *My last album of music was put together in 2014 and I've produced so much more material since then in differing directions.* One of the approaches tha...
I've cheated a little in this park remix. The train line runs alongside Ramponi Park and I was fortunate to record a train when I visited to collect sounds for this track. The camera was recording from within the Park, of course.
Other than the train, the different sounds heard from the slippery slide are a highlight. It's great the way you can tap across the structure and getting the foundations for chord changes. And everything shares the key of the slide.
This video shows me tapping harmonics on the slide at Ramponi Park, the site of my next remix. I thought it was a good demonstration of what I wrote about earlier on the variety of sounds produced by a structure.
You can also see I've been trying a new variety of cheap piezo pick-up. It didn't sound too bad but seemed to be broken after visiting the park. Should've guessed it would be crap because it has the word 'professional' in the title on the packet.
It's kinda funny to return to the park down the end of my street where I first tried recording the play equipment and remixing it. The first Waipukurau Park track didn't really meet the process I've established since then though, as it used a couple of VST instruments to complete the sounds.
As you can see, this time I've overcome the limited sonic palette by incorporating bowing a line that resonates on the slippery slide. This was another technique I learned from Alan Lamb when we worked together as part of the Unsound Festival in 2006.
The reverberating fences of the preschool and childcare centres also appear. Last week I mentioned to the director of the Leeton Childcare Centre that I'd been recording the fence and she's invited me to demonstrate it to the kids next Tuesday.
It's worth clicking on the link above to visit the Vimeo page for this clip for an explanation of the imagery.
I've been a fan of Scott's work for about a decade now and he also first taught me to edit video. Then there's the small matter of his decision to invite Alan Lamb to Wagga Wagga in 2004 and build a large-scale aeolian harp at the property I was living at at the time.